Showing posts with label Sonnets. Show all posts
Showing posts with label Sonnets. Show all posts

Friday, March 28, 2014

Sonnet LXXXVIII

The mornings I’m alone and aching,
resplendent-mouthed and open-skinned,
the lashing rain is flung, retaking
the earth in fits of fickle wind.
And silence in the autumn hallways
is warm, expansive, safe as always,
a living thing that fills to blur
the corners with its fluffy fur.
The air is cold behind my shoulders
and underneath my sinking breasts
and on my thighs, presenting tests
that prove my bones as dense as boulders
and force my innards to revive:
I am alive, alive, alive.

Friday, February 21, 2014

Sonnet LXXXVII: Audacity

In its demesne the rolling Shinto bell,
your brightest laugh that spikes the screen, the spine
of a dimetrodon, is a design
that's locked in a genetic, verdant cell;
each inhalation's perfect, tapered swell
spreads visible along with its decline--
this tiny, living thing that is not mine,
creating body from a dust-made shell.

I could erase it, cover it with sound,
could amplify, repeat to match my mood,
accompany its tones with tinny psalms.
For all I cannot touch, my hands surround
its boundaries; I hold it here, subdued
in incorporeal yet heated palms.

Tuesday, July 02, 2013

Sonnet LXXXVI

I captured Senex, and I stabbed his heart;
I drove my kitchen knife into his chest.
He isn't dead, but I don't care: the rest
of Regnum Animæ will come apart;
it now belongs to me and by my art
will grow again. And Senex who distressed
Amatus and Licentia is pressed
and pinned to Earth, imprisoned at the start.

Puer Æternus, come at once to me:
put careless feet where I say you must stand.
I want to kiss you where the man can see
and paint his blood upon you with my hand,
to smear it on your cheeks, to show I'm free
to own, to take, to cherish, to command.

Sonnet LXXXV

Anteros answered me:
he poured his weight upon the scales that Aphrodite holds,
and I am rising up;
the world unfolds beneath my long trajectory,
my straight approach to orbit, almost,
to create an arc, horizon-passing;
and the golds that streak the sky are weightless metals,
molds that form my path,
that buoy and elate.

But her he slammed into the iron Earth,
and heavier than osmium she falls,
still lustrous, always lustrous,
but too hard and brittle, useless,
stripped of any worth for molder, forger, god or woman;
crawls in filth
--yet is too precious to discard.


Wednesday, November 07, 2012

Sonnet LXXXIV: Esteem

It's for the thousandth sword I wait,
every breath anticipation;
it's for that glance of scornful hate,
changing to appreciation,
for my violent collision
with the man possessed by vision,
for him to find me, blind and lame,
and give to me a new-made name.
All the weaknesses he wrestles
I wait to bolster with my sword,
like water waiting to be poured
into smaller, finer vessels.
For words, for laws to sleep beneath--
I'm waiting for a single sheath.

Friday, October 19, 2012

Sonnet LXXXIII: Eternal Life


If I think of Heaven ever,
I almost weep in my despair
at the thought of ends that never
are reached, horizons everywhere.
For all that I achieve will be
rivers filling up the oceans,
tail-devouring snakes my motions,
all journeys Möbius for me.
They make no sense, the things they say,
for how can Heaven be the way
they describe? Both peace and pleasure,
happiness combined with leisure—
you can’t have both, they’re opposite;
it’s peace I want, to rest, to quit.

Wednesday, August 08, 2012

Sonnet LXXXII: Shigemori

If subject turns on lord to fight,
my ties to others are no guide;
when right and wrong stand side by side,
I cannot choose but to do right.
The debt I owe my sovereign's might
is more profound than fabric dyed
deep red, than twice-dyed red, more wide
than piles of gems, ten thousand, bright.
No course is open for me now;
no choice is possible to make,
for all the loyalty I feel.
It now seems best to me to bow
and simply to request you take
my head, O Father, where I kneel.

Tuesday, August 07, 2012

Sonnet LXXXI

Would I exist no more if courage came
and I tore all the muscles from my face?
If cheek to cheek I cut, would it erase
my thoughts, unsay my words, unmake my name?
If I could dig each eye out of its frame
or yank each of my hairs out of its place,
would all that is me leave and leave no trace?
Would I no longer need to feel my shame?
If I could slit my belly, setting free
the sins that press me, turning inside out,
exposing everything that built and bred
to cleansing light, where everyone can see,
would they evaporate--the guilt, the doubt--
and leave no part of me, alive or dead?

Saturday, November 12, 2011

Sonnet LXXX

Every day your words repeated:
you said that I'm the only one
whom I love, that I'm conceited,
that I had poisoned all I'd done.
And so my thoughts were always on
myself and on the sketch I'd drawn--
if I'd acted narcissistic,
if they think I'm egoistic--
and I've never loved somebody,
for if our hearts grew close at all,
they'd see me, weak, conflicted, small;
and with only casual study,
they'd learn how I am just replete
with selfishness and vain conceit.

Sunday, May 30, 2010

Sonnet LXXIX: To Mishima

I can see that you are gifted
by an acquaintance, intimate
and elite, with pain. I've sifted
the words you left: no tricks, no wit -
all your work is crafted tightly,
but your talent is how rightly
you hurt me. You are so enmeshed
that all your words are apples fleshed
years in brine, immersed and bitter,
but since you know these details well,
you must remain detached. They fell,
colors of my pain; they skitter
to me. You've made me, bit by bit,
of agony a replicate.

Monday, April 19, 2010

Sonnet LXXVIII: For Kurō

Does it make you angry, Specter,
this quiet crystal, cold and tame,
that we bathe with wine and nectar
and call by your unaltered name?
Are you flattered when your glory
is the center of the story
we dramatize in every length,
exaggerating manly strength?
Or are both the same? For neither
is true, perhaps. I like to think
of you as touchable, cheeks pink,
breathing, more alive than either,
but I'm mistaken, too, I'm sure,
so are you angry, Belamour?

Sonnet LXXVII: 先輩 [To my older classmate]

With a practical illusion walking
next to me, I have no need to carry
all reality along; the airy
pillars of the mind bear up with shocking
carelessness our candied tastes, and talking
soon becomes the object. Is it scary
how I bounce along without a wary
thought to spare for danger, scornful, mocking?
Maybe, but I think that's why it beckons:
freedom in this case is somehow safer.
My intense attention feeds this union
(so my prideful glance, uncertain, reckons):
cherishing the wine cup and the wafer
of platonic bonds, I keep communion.

Monday, April 12, 2010

Sonnet LXXVI

In the same way a red blossom
is not hidden by overgrowth,
your dignity has an awesome
superiority that both
shames me and makes me your lover;
it glows through the thickest cover.
This is why I want to believe
in preordination. I grieve
when I see myself; I wonder,
Do my eyes shine with that innate
excellence? Are my shoulders straight?
Can you look and see what's under
my skin? If I weren't something low,
wouldn't my inner goodness show?

Wednesday, April 07, 2010

Sonnet LXXV

How could ever there be heaven
more beautiful than April wind,
warm and not too heavy? Seven
unknowing days ago, we skinned
knees and elbows on the shining,
damp cement, and seven pining
and lonely days from here, we'll miss
the icicles of winter. This
moment--now--today--is nearer
than heart; it worms its way beneath
the muscles, slips between the teeth,
glistens in the belly, clearer
than mirrored light. To be outdoors
in April purifies our sores.

Monday, March 22, 2010

Sonnet LXXIV

Varley, in this book I'm reading,
says that, when Atsumori died,
it was like his unstopped bleeding
symbolically showed how the pride
of the court-folk was defeated
by the warriors, who greeted
the dawn of their own day. He writes
that they were meaningless, these fights;
this was a beau geste that neatly
displayed his lovely face so long
but had no consequence. He's wrong:
Atsumori changed completely
Naozane's integrity,
and then Naozane changed me.

Sonnet Cycle: Nanshoku ōkagami

I. The ABCs of Wakashudō


Asking whether it is painful,
you put your trusting hand in mine.

Something small like this?
Disdainful of pain,
I keep our pact divine.

We are wings that share a feather,
two trees grafted tight together;
thus,
we are always side by side,
a set that no one could divide.

All will worship us who hear us together,
playing on our flutes;
Atsumori himself salutes our skill.

Who can choose when near us between us?
Who would rid his rooms of autumn leaves or springtime blooms?


II. Within the Fence: Pine, Maple, and a Willow Waist


Truly,
life is like the lightning that strikes in daylight,
deft and fleet,
and I dare not face what's frightening:
the wait until next time we meet.

Violating all conventions,
you bestowed your kind attentions.
I'm lost in this confusing mood,
and I pour forth my gratitude.

All your acts amid my illness made me believe you were in love
(unworthy as I am thereof),
and if in the evening stillness,
you whisper that these things are true,
please let me give myself to you.


III. Love Letter Sent in a Sea Bass


The vow I gave was an eternal vow,
so should our lord himself desire me,
ought I surrender?
No!
For then and now my very self is not my property.

Since from the start,
when I first loved and said,
“This body will no longer be my own,”
I understood that we would both be dead
the minute our obsession became known.

I'm deeply hurt that you should hesitate to die beside me,
even at my whim—
but if it's been decided as my fate,
of course I will succeed in killing him.
And after that,
I'll turn that very blade on you,
Gonkurō,
who betrayed.


IV. Implicated by His Diamond Crest


Daiemon on the river's bank was naked in the shadow of the reeds;
he entered in the river,
and he sank.
Though it is deep,
desire for love exceeds.

Tannosuke's garden must convey that he was crying uncontrollably—
oh, even for a dream that would not stay,
that was too sad to bear,
too hard to see.

Tannosuke pressed the dripping chest of Daiemon to him in relief
and took him in to whisper and to rest;
Daiemon soon forgot his grief.
When morning brings its treasonous routines,
at least we meet again in nightmare scenes.


V. A Sword His Only Memento


Birds left the sky for me when I exclaimed;
if I disliked a man, there was no need for me to speak to him;
if I proclaimed a crow a heron, everyone agreed.

When I had gone to sleep in disarray,
he slipped a pillow underneath my head,
and if my coverlet had slid away,
he covered me with blankets from his bed.
His kind attentions came to me in sleep,
reality impinging on a dream.

We swore our faithfulness,
a pledge I keep like still-green pine,
a pledge of my esteem.

These privileges were born from his embrace,
the consequence of his indulgent grace.


VI. Though Bearing an Umbrella, He was Rained Upon
Korin 1


Korin's answer did not show him the gratitude one might expect of a boy
(so far below him)
granted favor and respect.

“Forcing me to yield to power is not love.
I will not cower;
my heart is mine,
and if one day someone should come to me
and say loving words in true reflection,
I'd welcome him inside my room.
I want to love someone on whom I can lavish real affection—
and if your love were something real,
I'd know it in the way I feel.”


VII. Though Bearing an Umbrella, He was Rained Upon
Korin 2


Cut off my strong right arm;
cut off my left—
but I will never say for you his name.
You'll never have it on your lips to shame me with your lips again,
to shame by theft my lips,
to shame my fingers with your deft, unyielding fingers
and your blunted aim.

I warned you at the start,
and so the blame will rest on you when I'm reborn and you're bereft.

These hands are hands that touched;
these arms are arms that held;
this mouth has kissed—
so chop me up and show them that they must obey you, too.

Remember you have stolen from my charms;
remember you were drinking from my cup,
and know that I did not belong to you.


VIII. His Head Shaved on the Path of Dreams
Sanai


A copy of the temple garden at Shōun-ji in Sakai was to be constructed,
and I often sat and watched the workers set the scene abuzz.
Thus,
on the evening when the Sago palms were planted,
I was perched upon a rock.
I cupped some water from the spring,
like alms within my hands,
to drink before my walk.
I threw the extra water on the ground behind me,
not perceiving anyone was standing there,
but then I heard the sound of laughter,
and a soft, low voice made fun:
“Ah—
one day I was hoping to be rained upon by you,”
he merrily explained.


IX. His Head Shaved on the Path of Dreams
Kan'emon


This afternoon,
when we were on the road,
I carried you.
You seemed to me too small to walk alone,
too beautiful to crawl along the earth—
much better if you flowed like clouds across this floating world.
I showed my inner self to you and laughed to call myself your slave.
You,
with your soldier doll,
pretended duels,
pouncing when I slowed.

Tonight,
when we were in my room and flames lit up your face,
we cuddled side by side;
I carried you;
I watched your clothing swish;
I called you General—
these were just games,
but knowing of the skill with which you ride,
I'll gladly call you anything you wish.


X. Grudge Provoked by a Sedge Hat
Seihachi


If everyone perceives the way I feel,
the ways I show you favor,
I don't mind,
because I feel the world must not stay blind to sunlight
and your innocent appeal.

If everyone sees through the way I kneel beside you,
I don't mind;
I make this kind of gesture to untie the cares
that wind around your ankles,
pulling you to heel.

And if you know I love you,
I don't care—
unless it brings you sadness or distress;
so if you wouldn't like to understand,
please think of what I do as nothing,
air that drifts and doesn't muss your hair or press too hard against you,
tugging at your hand.


XI. Grudge Provoked by a Sedge Hat
Rammaru


A spiteful word was spoken out of turn,
and he whirled 'round with fury in his eyes,
the set of his too-yielding lips unwise as passion,
firm as thunder,
quick to learn the promise of vendetta,
quick to spurn in pure disgust the man who mocked his cries,
and cold with indignation at the lies he told in company without concern.

He doomed himself who spoke those words.
This boy did not take insults lightly;
whispers of his many lovers would not be begun.
Though men by hundreds used him as their toy,
his virtue lived,
and while he may make love to thousands of them,
he loved only one.


XII. The Sickbed No Medicine Could Cure


“Friend of memory,
your condition is poor,
and this is bound to show;
if you're in a bad position,
don't let me be the last to know.
Are you shamed to love another since you loved me first?
No other fulfillment of my vow is there than pleasing you;
let me declare all your love to him.
I'll handle it all exactly how you'd like.”

Samanosuke forged the spike that Uneme used for scandal;
he left when Uneme had gone and said that he could not go on.


XIII. He Fell in Love When the Mountain Rose Was in Bloom


Directly to the castle of his lord
at daybreak Shume took the scroll and went.
“A man has fallen deep in love and spent his life in longing,
and he was ignored.
My honor tells me that I must reward his adoration,
but if I relent,
I leave my gentle lord without consent.
I cannot choose;
please kill me with your sword.”
Shume produced the scroll;
the lord received it from his hand.
To read its pages took an hour.
The lord considered Shume's whim and asked the boy to wait.
“Don't be deceived,”
said Shume;
“If I go home now,
one look and I will act improperly with him.”


XIV. Tears in a Paper Shop


One of the heartless dandies
saw the sprig of cherries in Hatsudayū's hand.
“Give me those blooms!”
He swaggered,
cruel and big.

A handsome stranger heard this rude demand.
“Please let me settle this,” in soothing tones he said.
“Give them to him,” he told the child,
then grabbed the bully's sleeve and,
hard as stones,
told him to give them back—
and dryly smiled.
“Some day when you are sober, visit me;
I'd like to set you straight.”

He gave the right address,
but Hatsudayū could see the dandy planned to start an unfair fight.
“I'll go,”
he swore,
“I'll stay on the alert—
I'll die before I see this man get hurt.”


XV. A Huge Wine Cup Overflowing with Love


Look:
your papa loved him madly,
beyond his means,
beyond his strength.

Some say purple shows up badly at night,
but even at this length,
it is lovelier than ever,
that wisteria,
the clever and handsome symbol on his crest.

Look:
isn't he the very best?

No one can predict the turning of worlds;
I thought the very least that I could do before he ceased breathing
was convey his burning
and beg a message of release to help my husband die in peace.


XVI. The Man Who Resented Another's Shouts


“You risked so much for my sake”—
a caress—
“It makes me very happy”—
and without a pause to change to ordinary dress,
he bound himself in love that did not doubt.

Sanzaburō gave himself away,
lost interest in his work,
scorned other men.
His lover sobbed and vowed,
but went astray,
and he would never hear from him again.

Through every day,
he yearned to hear his voice;
when nighttime stopped his ears,
he merely tried to live 'til dawn;
and then,
as if by choice,
as happens in this floating world,
he died like blossoms in hard rain and frozen dew
or moonlight veiled by cloud-mists from our view.


XVII. Fireflies Also Work Their Asses at Night
Iori & Handayū


The skill of Yoshida Iori and Fujimura Handayū is remarkable:
affectionate,
they quiz their patrons playfully;
without a strand of weakness,
they are pliant.

Soon unmanned,
Iori's patron frenzies in a fizz of words,
abandons on the pillow his life's fortune at those words and in that hand.

Handayū stays too cold and still,
not snuggling,
and makes the gentleman start wondering
what he's done wrong to raise this temper.
Then he whispers, with a thrill,
a single,
beautiful suggestion.

Can a man forget such skill in all his days?


XVIII. Fireflies Also Work Their Asses at Night
Handayū


I am like the firefly,
glowing—
but it shines only in the night.
Here I am 'til dawn.
Keep going and never rest at noon;
invite.
If you wish to rent or borrow,
I'll be on display tomorrow.

Thus,
only secretly,
he comes at night,
while I beat drunken drums,
to where I am entertaining,
releasing fireflies—
so I'm told.

People wondered whom the gold lights were meant to touch,
complaining of mystery.
But now I see that they were meant to glow for me.


XIX. An Onnagata's Tosa Diary


“Master Han'ya,”
he called out loudly,
“Loving you is brazen,
too outspoken,
but accept this proof I give you proudly of sincerity,
this modest token...”
Saying this,
he made as if to linger on the stage.
He pressed his hand securely to the floor and cut his little finger off
with five or six sword strokes,
demurely.

Han'ya said, calm and kind,
“Devotion is an honor to receive,
and later I will surely sweeten that emotion—
now, the stage's pull on me is greater.
So the play today is not diminished,
wait for me backstage until I've finished?”


XX. An Unworn Robe to Remember Him By


He did not really need to die, they said:
he killed himself with an inflated sense of honor.

When the grandiose events of New Year finished,
someone went ahead to say the play was starting,
but his bed was chaste fidelity,
and the expense of not playing the whore to malcontents
left Hayanojō without a thread.

His servant had no choice now but to tell the truth,
and he was frightened,
but the strings that held the boy broke softly.

Laughing low, he said,
“So promises of love won't sell.
Why is it in this floating world that things go
never as we wish that they would go?”

Monday, March 15, 2010

Sonnet LXXIII

Selling my possessions for a lentil--
why should I not go on riding, riding?
Why should I submit to life in hiding,
in my father's tent, content and gentle?
All that I inherit is a rental
I can never buy, and I am biding
time until my chance goes gliding, gliding
past my fingers, real and fundamental.

I will take it down, and we will wrestle;
I will be the master of the center,
she who owns, the muscle-maddened maven,
sleeping, pausing to bear down the pestle.
Any tent I fancy I will enter,
eating any meal in any haven.

Wednesday, February 24, 2010

Sonnet LXXII

In the absence of all motion
is peace. It multiplies and spreads
over all things, as an ocean
flows silently above our heads.
Feeling warm as blankets, though all
cold and heavy as a snowfall,
it seems to shine as pure and bright
as Heaven, though it gives no light.
There, in peace, there is no crying,
for all our sorrows here have passed;
because our pain has ceased at last,
there, in peace, there is no dying.
In absence of all sound and sight,
peace is a terrifying night.

Sonnet LXXI

Nature saves the application
of certain of her rules or laws
for the kind whose incarnation
is marred by lack of any cause,
who, from fear of not succeeding,
apathy, or love of leading
one´s life content to be passed by,
express unwillingness to try.
They are foolish to surrender.
It doesn´t matter if one´s goal
is worthy or uplifts the soul.
All that matters is the tender
and vulnerable heart that cried:
all obstacles will step aside.

Sunday, February 14, 2010

Sonnet Sequence: Ariō

(Here I am!) Why must you suffer
like this when you have finally found
him, your lord? The sea was rougher
than you had ever seen; the sound
battered you: and was this only
to see him in sadness, lonely
and dying of hunger, too late
to save him? Had it been your fate,
on this island you would gladly
have fed him what your hands could make
and kept him warm and soothed his ache.
Does he doubt you? Oh, how badly
you wanted to be with him here! -
and now it's real. Stay very near...

It were best if you could follow
immediately after to
heaven's second world, the hollow
and fragile shell of all you knew
left behind you - but you wonder:
who would pray for him or thunder
his final words across the sea?
(Is nothing left of you but me?)
To enlighten and forgive him,
you'll beg the gods, you'll intercede
for him, with every thought, you'll plead:
and for this you will outlive him,
for how will his last words survive
if unremembered? Therefore thrive.

All that lay within him perished
inside his mind, still unexpressed,
and no matter how you cherished
the things he whispered and confessed,
there are many you will never
hear at all, though you endeavor
to gather them. No matter how
you age, the years from then to now,
births that breathe and deaths that stifle,
you'll never see his figure bend
to you or hear him, calling, send
you to fetch some toy or trifle.
Is tyranny the only cause
of pain, or is it our own flaws?