When writing things I know must not be written,
I hide them where no one will think to look:
in public, on the internet, with kitten-
soft metaphors that cleanse and hide my bitten
hands under verbage. No less certain book
was ever made; no more effective mitten
clothed any celebrating hand that shook.
I write of every time that, tired and bitter,
I learned again the lesson of my life:
to give up hope, for all the dreams that flitter
between my hands are gilded air and glitter,
for daydreams only. I became a wife;
I will become a mother, then a quitter
of heaven with the bottle or the knife.
My love song is the sad remainder lying
in shreds from when I last was taught to play
this game by the official rules. I'm trying
to treat you lovingly, to hide my crying
and bouts of crazy laughter, to give way
to you. I'm fond of you. You're kind, and tying
myself to you again is all I may.
Shall I lament stylistically your leaving?
It seems to be the custom. You'll return,
however, so what sense is there in grieving?
I am indifferent. There is no thieving,
small archer who can make me feel the burn
of passion for a thought that isn't weaving
through the abstractions I desire to learn.
So I suppose I want you to be happy.
I know you love as deeply as you can.
I have no feelings, and I squash the sappy,
clichéd, faux sentiments expressed by yappy,
too-old-ish girls and men who call the span
across the hands a mile. You say these flappy
things much more earnestly than any man.
Some say that I am cold, some that I'm driven,
and some that I'm too passionate to live.
Tuesday, June 23, 2009
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